By “Rani” – A Powerful Tale of Justice and Resistance
The much-anticipated Sri Lankan biographical drama “Rani,” directed by the acclaimed Ashoka Handagama, makes its grand premiere today, January 30. This marks Handagama’s 11th feature film, bringing to life the tragic yet courageous story of journalist Richard de Zoysa and his mother, Dr. Manorani Saravanamuttu. Produced by Lyca Productions, “Rani” presents a gripping narrative set against the backdrop of political turmoil and state repression in Sri Lanka during the late 1980s.
The Story Behind “Rani”
At the heart of the film is the abduction and murder of Richard de Zoysa, a fearless journalist, actor, and human rights activist. On February 18, 1990, he was forcibly taken from his home and executed, his body discovered the following day on a Moratuwa beach. His death is believed to be a state-sponsored assassination, a chilling consequence of his fearless reporting on human rights violations under President Ranasinghe Premadasa’s regime.
Rather than focusing solely on Richard’s work, “Rani” shifts the perspective to his mother, Dr. Manorani Saravanamuttu, who embarks on an unrelenting quest for justice. Confronting a government notorious for silencing dissent, Manorani’s struggle becomes a symbol of resistance against impunity, as she forms “Mothers’ Front,” an organization advocating for the thousands of disappeared during this dark period.
The Political Context
The film captures the brutal crackdown on suspected Janatha Vimukthi Peramuna (JVP) rebels between 1988 and 1990, a time when extrajudicial killings, abductions, and mass graves became grim realities. The government’s counterinsurgency campaign resulted in tens of thousands of disappearances, with Richard de Zoysa’s murder being one of the most high-profile cases.
In “Rani,” Manorani’s painful journey through legal and political avenues is poignantly portrayed. Despite recognizing one of her son’s abductors standing beside President Premadasa on state television, she is met with threats and intimidation. The film starkly depicts her failed attempts to seek justice and her eventual exile to Canada, only to return and witness the assassination of Premadasa himself—an event she considers the ultimate reckoning.
A Cinematic Tribute
“Rani” boasts a stellar cast led by the legendary Swarna Mallawarachchi, who embodies the resilience and grief of Manorani Saravanamuttu. Rehan Amarathunga takes on the role of Richard de Zoysa, supported by seasoned actors Sanath Gunathilaka, Saumya Liyanage, Bimal Jayakody, Ashan Dias, and Sampath Jayaweera.
Technical brilliance enhances the storytelling, with Channa Deshapriya’s cinematography capturing the oppressive atmosphere of the late 1980s, Ravindra Guruge’s meticulous editing ensuring an immersive experience, and Rohana Weerasinghe’s evocative score underscoring the emotional depth of the narrative.
Handagama’s Vision
For director Ashoka Handagama, “Rani” is not just a retelling of history but a deeply personal exploration of loss, resilience, and the pursuit of truth. In a recent interview, Handagama revealed that the film is shaped from Manorani’s perspective, offering an intimate portrayal of a mother’s anguish and determination.
Balancing historical accuracy with cinematic storytelling, Handagama ensures that the film remains engaging without losing its emotional core. His approach is meticulous—authentic period settings, cross-verified media reports, and carefully crafted character portrayals lend credibility to the narrative.
Impact and Legacy
With “Rani,” Handagama aims to rekindle conversations about Sri Lanka’s turbulent past and the silenced voices that continue to seek justice. While the film does not impose a singular message, it invites viewers to reflect on the weight of history and the courage of those who challenge oppression.
“Rani” is more than a film—it is a tribute to a mother’s unyielding spirit and a journalist’s undying legacy. As it hits the big screen, audiences can expect a thought-provoking, emotionally charged experience that resonates far beyond the closing credits.
